A ribband of blue

There is new buzz regarding the find of a particular snail, and it is quite interesting. Remember Lydia, the seller of purple? Some think her interest was in what these articles develop. And the woman who said, ‘if I may just touch the hem of his garment.’ She too may have had knowledge of the ‘blue,’ but of course more importantly, who wore it.

I had this copy on file for many years, and have just now had a reason to share it.  Hope somebody finds it helpful, for surely you will find something of value which speaks to faith.

If you have time and are inclined, see the link below from WND for a twin context -ColorStorm

The cloth, which is one of the few remnants of the ancient colour ever found, was dyed using a snail known as the Murex trunculus. The gland of the sea-snail Murex trunculus secretes a yellow fluid that, when exposed to sunlight, turns purple-blue

This undated photograph released by the Israel’s Antiquities Authority Tuesday, Dec. 31, 2013, shows a nearly 2,000-year old textile that appears to contain a mysterious blue color described in the Bible, one of the few remnants of the ancient color ever discovered. Researchers and rabbis have long searched for the enigmatic color, called tekhelet in Hebrew. The Bible commands Jews to wear a blue fringe on their garments, but the dye was lost in antiquity. (AP Photo/Clara Amit, Israel Antiquities Authority, HOPD)

__________________________________________________________________________________________________

A Ribband of Blue
by Dr. John D. Garr

(source Garmentsofsalvation)

Chapter 4:  A Ribband of Blue

Literally and grammatically there was something more about the tzitzit (fringe) that was to call Israel’s attention to the commandments of God. In each tzitzit of each garment was to be a single ribband (thread) of blue.

The Hebrew word for “ribband” is (petil), meaning a cord or thread twisted into a fringe. It is perfectly described in the apostolic Greek kravspedon (kraspedon), “the appendage . . . made of twisted wool.” Even more than the tzitzit itself, this single twisted blue thread was to be the reminder of God’s mitzvot.

The cloth, which is one of the few remnants of the ancient colour ever found, was dyed using a snail known as the Murex trunculus, pictured.The gland of the sea-snail Murex trunculus secretes a yellow fluid that, when exposed to sunlight, turns purple-blue

Linguistically, the antecedent of the pronoun it (upon which Israelites were to look and remember) is “ribband” or the thread of blue. Since the word tzitzit is feminine and “it” (“You shall see it. . .”) is masculine, the only antecedent possible is the thread of blue. The term for this “blue” in Hebrew is (tekhelet).

Some sages have explained that the use of the masculine pronoun here
may allude to an awareness of the Divine (“You shall see him [God] . . .”).
In the ancient world, dyes that were both colorful and not subject to oxidation
or fading were rare and costly. There was a particular fascination with colors
in the spectrum ranging from crimson, through purple, to sky blue.

These colors are frequently mentioned in the Bible as (tekhelet) “blue,” (’argaman) “purple,”
and (tola’) “crimson.” The blue dye was derived from the hypobranchial gland of
the Murex trunculus mollusk (sea snail), the purple from the hypobranchial gland
of the Thais haemastoma sea mollusk, and the crimson from the dried body of the
female coccus ilicis worm or maggot. Each of these dyes was used to color
fabrics that were essential parts of the Tabernacle.

Blue and white tzitzit knotted in the Sephardi...

Blue and white tzitzit knotted in the Sephardi style, the all white is Ashkenazi. Note the difference between the 7-8-11-13 scheme and uninterrupted windings (between the knots) on the Ashkenazi, vs. the 10-5-6-5 scheme and ridged winding on the Sfaradi tzitzit. (Photo credit: Wikipedia)

The dye for the color tekhelet was literally worth its weight in gold and more
in the ancient world. As a matter of fact, wool dyed with tekhelet was worth up
to twenty times its weight in gold.2 One modern investigator demonstrated the
high cost of tekhelet and purple dyes by finding it necessary to use over 8,500
such snails to obtain one gram of dye.

Though a substitute dye, kela ilan, could
be extracted from the Indian indigo plant, the best dye which did not fade or
oxidize was taken from live mollusks or sea snails.3 It has been suggested that
tekhelet dye from the Murex trunculus was one of the fastest dyes in the ancient world. (It binds very tightly to wool and will not fade over time.)

It was probably for this reason that the Talmud specified that tekhelet for the tzitzit
must come from a (chilazon), which means any kind of land or sea snail in modern
Hebrew4 but probably referred to the Murex trunculus in ancient times. As the
Talmud required, the Murex trunculus had a shell and came from “between the
ladders of Tyre and Haifa.”

English: The Tabernacle in the Wilderness; ill...

English: The Tabernacle in the Wilderness; illustration from the 1890 Holman Bible (Photo credit: Wikipedia)

The Talmud also specified that the dye be extracted from a live snail, necessitatingharvesting from the sea floor and immediate extraction, as was the case with the Murex trunculus. Because of their beauty, garments with these colors were in such demand that only the wealthy aristocracy and those of royalty could afford to wear them.

Kings and emperors had their robes dyed in this “royal blue,” or “royal purple.”
Due to the lucrative nature of purple and blue dyeing and the status conveyed by
wearing such colors, there was much jockeying for control over the industry.

The Romans brought the dyeing industry under imperial control, with Julius Caesar
and Augustus Caesar restricting use of these dyes to the ruling classes. Nero
decreed that only the emperor had the right to wear blue or purple garments.
By the fourth century C.E., the Roman emperors decreed that these dyes be
controlled wholly by the state.

The most ancient of references to tekhelet is found in the Tell-el-Amarna
Tablets (1500-1300 B.C.E.), where a “sabâtu sâ takílti” (garment of tekhelet)
was listed as one of the riches sent by the King of Mittani to the Egyptian
prince as a dowry for his daughter. Legend has it that the blue and purple
dye was discovered when Hercules’ dog bit into a Murex snail on the shores of
Tyre, leaving his mouth stained purple.

Tyrian coins from around 200 C.E. depict this legend, with the Murex clearly visible.
Archaeological evidence suggests that the tekhelet dyeing process may have
originated in Crete, where purple was being manufactured by Minoans as early as
1750 B.C.E. Mounds of crushed Murex trunculus snails from around 1200 B.C.E.
have been discovered at various sites between the promontory of Tyre in Lebanon
and modern Haifa in Israel.

Historical references are made to this blue and purple dyeing process in the writings of Pliny the Elder and Aristotle, both of whom describe the mollusks, where they may be located, and the procedure for dyeing with them. From the archaeological and historical evidence there seems to be little doubt about the origin of the color tekhelet.

Murex trunculus

Murex trunculus (Photo credit: RahelSharon)

Though some have suggested that it was extracted from the mollusks Janthina pallida and Janthina bicolor, most scholars agree that both tekhelet and argaman were extracted from Murex snails.
Rediscovery of the dyeing process from the Murex trunculus snail has also helped clear the confusion between references to purple and blue in the ancient world. These terms were often used almost interchangeably so that “royal blue” was actually purple. Lydia, a merchant in “purple” was probably actually a seller of
tekhelet (blue).

When the secretion from the hypobranchial gland of the Murex
trunculus mollusk is extracted, it is a clear, yellowish liquid, dibromoindigo, which is put into a reduced solution for vat dyeing of wool. In the presence of sunlight, however, the ultraviolet spectrum causes the dibromoindigo to
debrominate to indigo.

The shade of the resultant color is dependent upon the
degree of exposure to ultraviolet light; therefore, on a cloudy day or in
controlled sunlight, the color is more violet or purple while on a cloudless
day, the color is sky blue.

In Bible days, tekhelet was used in ancient Israel in garments for princes and
nobles. The High Priest’s robe was entirely of tekhelet, and various fabrics
used in the Tabernacle and Temple were of tekhelet. It was also used in fabrics
for royal palaces. The people of primitive Tyre were expert dyers with
tekhelet, and the tribe of Zebulun participated in this industry as a part
of its inheritance that included “the hidden treasures of the sands.”

The Israelites under Deborah fought a war with the Canaanites that most likely
involved this issue: “. . .to Sisera a prey of divers colours, a prey of divers
colours of needlework, of divers colours of needlework on both sides, meet for
the necks of them that take the spoil. . .”

In the time of Jesus, the tallit with tzitzit with a thread of tekhelet was most
certainly in use by Jewish men. By that time, it is possible that some primitive
form of the modern prayer shawl had emerged; however, some form of the ancient
mantle was likely still in popular use. At any rate, there can be no doubt but
that the garment which Jesus wore as an integral part of his Torahcentric
lifestyle was the tallit with tzitzit and tekhelet.

His mantle or prayer shawl was a rectangular woolen garment with a fringe appended and hanging down from each of its four corners, featuring a single strand of blue thread woven or twisted into each fringe. This was the “hem” of his garment which brought healing to “all who touched it.”

Despite all the destruction of subsequent wars in Israel and surrounding area,
the tekhelet industry continued to produce the dye that was used to make the
distinctive marking in the outer garment of Jewish men until at least 570 C.E.,
at the time of the redaction of the Talmud. Rabbi Isaac Herzog suggests that the
final destruction of the Jewish tekhelet industry occurred with the Arab
conquest of Israel in 683 C.E.24

The secrets of tekhelet were then lost for perhaps thirteen centuries, but they
were rediscovered through the dedication of enterprising rabbis, including Rav
Gershon Henokh Leiner of Radzyn, who thought that it was derived from a squid’s
black secretion subjected to heat and mixed with iron filings.25 Rabbi Isaac
Herzog, first Chief Rabbi of the State of Israel, did extensive research which
disproved the Radzyn theory and concluded that the Murex family was the likely
source of tekhelet.

In 1985 Rabbi Eliahu Tavger of Jerusalem began researching
the ritual fringes and finally succeeded in exacting the process of dyeing with
tekhelet according to halacha. Today, after more than 1,300 years, tzitzit are
again being made with a thread dyed with tekhelet under the auspices of P’til
Tekhelet, a non-profit Israel-based organization that obtains snails, extracts
the dye, and dyes pure Merino wool.

These Israelis are among the many Jewish people internationally who have a passion for restoring ancient materials and practices to Judaism, no doubt a part of the spirit of restoration that is
active in many faith communities, both Jewish and Christian. The majority of Jews today still use use a prayer shawl with plain white tzitziyot.

Some use a blue stripe across the tallit to recall the tekhelet thread while others use a black stripe rather than the blue in remembrance of the destruction of the Temple. Increasing numbers, however, are returning to the tekhelet-threaded tzitzit, the tradition of their ancient ancestors.

http://www.wnd.com/2014/01/like-israel-biblical-snail-makes-comeback/
Footnotes:
1 Exodus 26:1, 31; 28:6.
2 Baruch Sterman, “Tekhelet” (a paper posted on the Internet Website of P’til
Tekhelet, http://www.techeiles.org.il), p. 2.
3 Talmud, Seder Moed, Shabbat 75a.
4 Shabbat 26a; Sifre Deuteronomy 354.
5 Devarim Rabba 67:ll; Talmud, Seder Moed, Shabbat 85a.
6 Talmud, Seder Moed, Shabbat 85a
7 Seutonius, Vita Caes, p. 43.
8 Vita Neronis, p. 32.
9 J. T. Baker, “Tyrian Purple: an Ancient Dye, a Modern Problem,” (Endeavor,
33, 1974), pp. 11-17.
10 Samuel Mercer, The Tell El-Amarna Tablets (Macmillan, 1939), p. 85.
11 Baruch Sterman, p. 2.
12 Robert Stieglitz, “The Minoan Origin of Tyrian Purple,” (Biblical
Archaeologist, 57:1, 1994), pp. 46-54.
13 J. B. Pritchard. Recovering Sarepta, A Phoenician City (Princeton: Princeton
University Press, 1978), p. 38.
14 Pliny the Elder, Natural History, Book IX, LX-LXV.
15 Aristotle, De Animalibus Historia, p. 175.
16 Encyclopaedia Judaica: “Tekhelet.”
17 Acts 16:14.
18 Ezekiel 23:6.
19 Esther 26:31.
20 II Chronicles 2:6; Ezekiel 27:7.
21 According to the midrash of Talmud, Seder Moed, Mas. Megilah. 6a.
22 Deuteronomy 33:19.
23 Judges 5:30.
24 Isaac Herzog. The Royal Purple, p. 114. Quoted in Baruch Sterman, p. 5.
25 See Baruch Sterman, p. 6.
Chapter 5: Tzitzit and Tekhelet

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About ColorStorm

Blending the colorful issues of life with the unapologetic truth of scripture.
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